Hay Festival Forum: A World of Voices in Dallas
Dallas has always thrived on reinvention. One season it is a football capital, another a hub for new technology, another a stage for bold experiments in art and culture. This October, the Bishop Arts District will take on yet another role: host to the Hay Festival Forum, the global gathering of writers, musicians, and thinkers whose very purpose is to celebrate the richness of diverse voices.
From October 17th through 19th, events will unfurl across the neighborhood, turning cafés, bookshops, and performance spaces into sites of discovery. The program reads like a chorus of perspectives: Joe Sacco, the groundbreaking graphic journalist, in conversation with Arwa Mahdawi; Laila Lalami reflecting on migration and memory with Marcela Fuentes; Junot Díaz speaking with Paola Nagovitch about belonging, language, and memory.
The weekend brims with encounters that promise to surprise. Claudia Rankine, whose Citizen changed how we think about race and art, will be in dialogue with Janelle Gray. Edgar Castro Zapata, the great-grandson of Emiliano Zapata, joins Rossy Lima Padilla and Héctor Rendón from Latino Book Review to explore revolutionary legacies and movements in the present tense. Bocafloja blends talk and performance; AfroPerreo brings the joy of music and movement to the night.
On Sunday, the range widens further: Argentine writers Gabriela Cabezón Cámara and Michel Nieva reflect on writing as a form of resistance and reimagination, while Jorge Carrión, author of Against Amazon, examines the monopolies that impact books. The anthology Tsunami, a landmark in Mexican feminist writing, is presented by three of its contributors, Marina Azahua, Gabriela Jauregui, and Sara Uribe. Angela Saini discusses how we unlearn dominant patriarchal narratives; Tim Z. Hernández restores forgotten migrant lives; and two legendary drummers—Hugo Burnham of Gang of Four and Brendan Canty of Fugazi—find common rhythm in memory and defiance.
What makes the Hay Festival Forum unique is its spirit of encounter. It does not flatten differences, but lets them resonate. Here, literature meets music, activism meets scholarship, and stories cross languages and geographies. Its location in Bishop Arts is a neighborhood known for its eclectic events, bookstores, and vibrant streets—the setting feels not like a backdrop but like a perfect partner.
Throughout these days, Dallas will become a meeting place of many worlds, a reminder that imagination is not solitary but communal—and that culture, at its finest, is always a festival.
From October 17th through 19th, events will unfurl across the neighborhood, turning cafés, bookshops, and performance spaces into sites of discovery. The program reads like a chorus of perspectives: Joe Sacco, the groundbreaking graphic journalist, in conversation with Arwa Mahdawi; Laila Lalami reflecting on migration and memory with Marcela Fuentes; Junot Díaz speaking with Paola Nagovitch about belonging, language, and memory.
The weekend brims with encounters that promise to surprise. Claudia Rankine, whose Citizen changed how we think about race and art, will be in dialogue with Janelle Gray. Edgar Castro Zapata, the great-grandson of Emiliano Zapata, joins Rossy Lima Padilla and Héctor Rendón from Latino Book Review to explore revolutionary legacies and movements in the present tense. Bocafloja blends talk and performance; AfroPerreo brings the joy of music and movement to the night.
On Sunday, the range widens further: Argentine writers Gabriela Cabezón Cámara and Michel Nieva reflect on writing as a form of resistance and reimagination, while Jorge Carrión, author of Against Amazon, examines the monopolies that impact books. The anthology Tsunami, a landmark in Mexican feminist writing, is presented by three of its contributors, Marina Azahua, Gabriela Jauregui, and Sara Uribe. Angela Saini discusses how we unlearn dominant patriarchal narratives; Tim Z. Hernández restores forgotten migrant lives; and two legendary drummers—Hugo Burnham of Gang of Four and Brendan Canty of Fugazi—find common rhythm in memory and defiance.
What makes the Hay Festival Forum unique is its spirit of encounter. It does not flatten differences, but lets them resonate. Here, literature meets music, activism meets scholarship, and stories cross languages and geographies. Its location in Bishop Arts is a neighborhood known for its eclectic events, bookstores, and vibrant streets—the setting feels not like a backdrop but like a perfect partner.
Throughout these days, Dallas will become a meeting place of many worlds, a reminder that imagination is not solitary but communal—and that culture, at its finest, is always a festival.
See the full program and purchase your tickets.
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